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Three architectural orders. Three gods.
Our entirely handcrafted trilogy continues under the unyielding gaze of Poseidon. God of the sea and adversary of Odysseus, his figure—micro-cast in silver—stands guard over a destiny unfolding across the pages.
Odyssey
Chapter II
The wave motif in vermeil frames the most intense episodes of Odysseus’ journey. Tiny bas-relief friezes transform the body of the pen into a continuous narrative, rendered with extraordinary philological precision.
Odyssey
Chapter II
The wave motif in vermeil frames the most intense episodes of Odysseus’ journey. Tiny bas-relief friezes transform the body of the pen into a continuous narrative, rendered with extraordinary philological precision.
Odyssey
Chapter II
The wave motif in vermeil frames the most intense episodes of Odysseus’ journey. Tiny bas-relief friezes transform the body of the pen into a continuous narrative, rendered with extraordinary philological precision.
The forms of the Doric order, the oldest and most austere of the Greek architectural styles, are reproduced in miniature. Essential lines and rigorous proportions give life to a cap that expresses structural strength and formal purity, embellished with a refined mother-of-pearl abacus.
A tribute to ingenuity and the journey.
Odysseus’ ship becomes the stage that houses the limited editions of 266 fountain pens and rollerballs— a number that echoes the isopsephic value of the word “Ελλάς” (Greece), according to the ancient Greek numerological system.
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