Kitcho Noh Masks Fountain Pen, Woman - ISKIN_09

Montegrappa

Kitcho Noh Masks Fountain Pen, Woman

Kitcho Noh Masks

27.465 €

Nib grades

ST1

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Available to ship by Thursday 11 December

Specifications

Material: Resin, Sterling Silver 925, Enamel

Trim: Sterling Silver 925

Nib: 18k Gold

Filling system: Piston

Included: Ink Bottle (50ml)

Length: 151 mm

Diameter: 18,50 mm

Weight: 116,00 gr

Subtle chromatic variations attest to the authenticity and exclusivity of artisanal craftsmanship.

Description

In an encore collaboration with Japan’s masters of maki-e, we explore the world’s oldest theatrical art form in three ultra-rare editions. Breathtaking craftsmanship by Zohiko recreates the masks of noh, combining urushi lacquer with layers of gold and silver dust to bring a gallery of famous characters to life: Demon; Woman; Deity. Centuries of mystique are harnessed in writing instruments verging on the supernatural.

Editions

8 Fountain Pens, Woman

8 Fountain Pens, Demon

8 Fountain Pens, Deity

ISKIN309

Fortune flows through fountain pens of high provenance. Japanese symbols of strength and prosperity shape the kitcho silhouette—a lucky omen limited to eight pieces per design.

Extraordinary character. The masks of noh theatre convey complex emotions and supernatural presence. Hannya, Shishiguchi and Shintai are exemplars of the art, rendered in two-tone 18K gold.

KAMI-MEN

Deity

Noh stages are simplified spaces with pine tree backdrops to seat the gods. Their supernatural protagonists include Ootobide, god of thunder, the supreme goddess Masukami, and Shintai, the male deity.

ONNA-MEN

Woman

Performances expressing a woman’s love or anguish are pillars of the art form. In masks like Magojiro, Hashihime and the hostile Hannya, skilled carvers balance beauty with emotional ambiguity.

KI-MEN

Demon

Carved from cypress, omote are objects believed to summon spirits. Their souls are said to reside in masks like Kobeshimi, Shikami and Shishiguchi, a lion incarnation of the demon Manjushri.

Founded in Kyoto in 1661, Zohiko’s mastery of art forms like taka-maki-e have made it Japan’s leading name in fine lacquerware. Many of its creations reside in the collections of the Imperial Court.